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SC Daily Sip: a daily events calendar featuring interesting activities to do in South Carolina, along with a collection of healthy juice recipes to try each month. Find your 'SC Daily Sip' of activities here! Welcome to 'SC Daily Sip,' your curated portal for daily activities and fun things to do throughout the state of South Carolina and cities in the surrounding region. Recharge yourself with the refreshment of our monthly featured sip and embark on culinary activities as we taste-test the best food and celebrate music talent. View or join in the creativity around you as we spotlight crafters, art centers, and galleries. Whether it's exploring new nooks, making visits to our landmark spots, uncovering hidden local treasures, or securing your spot in bustling stadiums, fine-dining restaurants, or dedicated volunteer stations - we've got you covered. At 'SC Daily Sip,' we're firm believers in delivering upbeat, informative content that empowers you to engage with diversified options and feel inspired by South Carolina. Because together, we fuel South Carolina's growth. Welcome aboard; click on our responsive calendar below to learn about each day's event!! 'SC Daily Sip' Calendar of Activities Friday, February 7th - Tuesday, February 18th F. 2/7 Trustus Gala Harlem Nights: 40 Years of Misbehavin' 7:00pm-11:00pm South Carolina State Museum 301 Gervais St. Columbia, SC S. 2/8 Early Morning Bird Walk 8:30am-10:30am Caw Caw Interpretive Center 5200 Savannah Highway Ravenel, SC S. 2/9 Super Bowl VIP Watch Party! 5:45pm-10:00pm Six & Twenty Distillery 556 Perry Ave B103 Greenville, SC M. 2/10 Make and Create: Paper Bouquets 6:00pm-7:00pm Richland Library Sandhills Columbia, SC T. 2/11 Discovering SC Butterflies and Moths 11:00am-12:30pm Wando Mount Pleasant 1400 Carolina Park Blvd. Mount Pleasant, SC W. 2/12 WINE Down Wednesday 4:00pm-10:00pm The Pint Station 116 E Main St Easley, SC Th. 2/13 Steel Magnolias at Town Theatre 7:30pm Town Theatre 1012 Sumter St Columbia, SC F. 2/14 With Love from Lavender: A Self Care Mini-Retreat 7:30pm-9:00pm Anahata Yoga 1901 Ashley River Road #Suite D Charleston, SC S. 2/15 Frosty Farmer Winter Market 9:00am-1:00pm McAlister Square 101 Airport Rd Greenville, SC S. 2/16 Univ of South Carolina Gamecocks Softball vs. Appalachian State Softball Carolina Softball Stadium At Beckham Field 1318 Heyward Street Columbia, SC M. 2/17 Special President's Day Brunch at Park & Grove 9:00am-2:30pm Park & Grove 730 Rutledge Ave Charleston, SC T. 2/18 Open Bluegrass + Acoustic Jam 6:30pm-8:30pm Fireforge Crafted Beer 311 E Washington St Greenville, SC Winter Thyme Spritzer INGREDIENTS Enjoy a refreshing seasonal mocktail that marries the sweetness of pear with the tang of pomegranate and lime, accented by a hint of ginger and the aromatic touch of thyme. Ingredients 2 ripe pears 1 cup pomegranate seeds 1 lime (peeled) 1–2 inches fresh ginger 4 sprigs thyme 16 ounces sparkling water Instructions Extract the Juice: In a juicer or blender, combine the pears, pomegranate seeds, lime, and ginger. Strain if needed to obtain a smooth juice. Mix the Drink: In your favorite glass, pour about 4 ounces of the freshly made juice, then top with 4 ounces of sparkling water. Adjust the proportions to taste. Garnish & Serve: Add a sprig of thyme as a garnish. Enjoy immediately for the best flavor. Pro Tip: Crank up the ginger for an extra burst of spice that perfectly complements the winter season. Nutritional Boost: Pears are rich in vitamins B, C, and K, and offer a good dose of copper and potassium for an added health kick. Active Sips: Below you will find a collection of fresh and healthy juice recipes. All you need are the fresh ingredients and a juicer! Beet the Blues Looking for a refreshing and reinvigorating springtime juice treat? Look no further than Beet the Blues! To create this vitamin-rich drink, you will need a juicer. This nutrient-rich recipe contains 2 beets chopped and peeled, 3 peeled carrots, 1 green apple, 1 fresh peeled sprig of ginger, and 1/2 of chopped fresh pineapple. Beetroots are known for their rich fiber content and abundant vitamins and minerals, including folate, manganese, potassium, iron, and vitamin C. This springtime treat tastes amazing and offers health benefits. Beets are known to improve blood flow and lower blood pressure, plus boost energy during exercise. Asian Pear Sparkler INGREDIENTS 1 cup freshly pressed Asian pear juice 1 teaspoon lemon juice 3/4 cup honey 1/4 cup sugar 1 (4-inch) sprig fresh rosemary 1 (1-inch) piece fresh ginger, peeled and cut into coins Small grating of fresh nutmeg Ice Soda water Directions: In a saucepan over medium heat, mix pear juice, lemon juice, honey, sugar, rosemary, ginger, and nutmeg. Heat the mixture until it reaches a boil, then reduce the heat to low and let it simmer for 5 minutes, stirring occasionally to ensure the sugars dissolve. Take the pan off the heat and let the mixture sit for 30 minutes. Strain the liquid through a fine-mesh sieve to remove the solids, then set the syrup aside to cool completely. To prepare, fill an 8-ounce glass halfway with ice. Add 3 tablespoons of the syrup and top with soda water. Stir well. Adjust the sweetness or intensity by adding more syrup as desired. Craving more, visit our Sweet Carrot Snap recipe, so delicious, it deserves and encore! Snowflake Martini Recipe Ingredients: 2 oz vanilla vodka 1 oz white chocolate liqueur 1 oz cream of coconut 1 oz heavy cream Ice White sugar or shredded coconut (rim garnish) Directions: Rim a chilled martini glass with white sugar or shredded coconut. In a shaker, combine vodka, white chocolate liqueur, cream of coconut, and heavy cream with ice. Shake well and strain into the prepared glass. Enjoy your frosty, festive Snowflake Martini! Begin every day by indulging in a straightforward healthy delight... ...a Sweet Carrot Snap You will need an electric juicer, one apple, one large carrot, and a piece of fresh ginger. Chop the fruit and vegetables into pieces; peeling is optional. Juice all the ingredients together. Serve immediately and enjoy! Sugar Free Spiced Cider If you prefer a recipe without added sugar, this one is naturally sweetened by apples alone. Simply add apple juice or cider to a saucepan with cinnamon sticks, cloves, and orange peel. Simmer this mixture to let the spices infuse, and you'll have a fragrant, warming, and subtly spiced cider that's easy to make and naturally sweet. This version is excellent for those looking for a healthier alternative without sacrificing flavor Start each day with a simple healthy treat... ...a Cucumber Cooler You will need an electric juicer, one green apple, one cucumber, a lime, and a sprigs of fresh mint. Chop the fruit and vegetables into pieces; peeling is optional. Juice all the ingredients together, and add a generous pinch of nutmeg. Stir and serve immediately and enjoy! More?...try a Wake Up Call You will need an electric juicer, one apple, some fresh pineapple, a lemon, honey, nutmeg (powder, not whole) and a piece of fresh ginger. Chop the fruit and vegetables into pieces; peeling is optional. Juice all the ingredients together, and add a generous pinch of nutmeg. Stir and serve immediately and enjoy!

Explore Carolina DeSanctis' FAST DOLL: vintage tattoo flash-inspired hand-stitched patches, custom clothing, and accessories. Her eco-conscious, cruelty-free shop offers crafted patches, hats, key chains, and more, all masterfully created by Carolina herself. Stitching the Past into the Present: an interview with a great gal who owns and operates FAST DOLL. An interview feature with USC Alumnus, Caroline DeSanctis, artist and owner of Fast Doll, "hand embroidery inspired by the golden age of North American traditional tattoo and other iconic vintage imagery. Above, Caroline DeSanctis, owner of FAST DOLL Hand Embroidery, Charleston, SC. Photo by Michelle Hart, Palmetto Snapshots, Charleston, SC. Palmetto Snapshots Q & A with Caroline DeSantis Introduction: Based on her original drawings and unique designs, owner and operator of FAST DOLL Caroline DeSanctis creates 100% hand-stitched patches, custom clothing & accessories influenced by the tattoo flash of the 1940s & 1950s. All embroidery and designs are drawn and stitched by Ms. DeSanctis. Most designs you see here are original to the shop unless otherwise noted (i.e., the Sailor Jerry designs and some custom commissioned work). The cost of her hand embroidered patches range from $20.00 - $125.00. Her shop additionally features hats, pennant, key chains, tattoo passes and custom orders. All patches are cruelty-free: made from eco-felt, which is made from recycled plastic bottles, and 100% cotton embroidery floss. Let's catch up with Caroline and find out more about her unique shop and business. Above, an example of some of Caroline's custom work. Hand-dyed, hand-stitched & hand-drawn patch flash sheets prior to being framed. Commission Inquiries Dawn Hunter: When and where did you establish FAST DOLL? Caroline DeSanctis: I started Fast Doll in 2015 when I still lived in Atlanta, Georgia. Back then it was still known as Fast Doll Fine Vintage, and I was exclusively selling vintage clothing from the 1920s-1960s online. When I first started I was still working full-time for MAC Cosmetics and was selling vintage on the side after clocking out at MAC every day. I resigned at MAC in April 2016 and I remember as I was leaving the counter that day my phone was buzzing with orders from Etsy, and I remember smiling, and thinking that I had made the right decision to leave. Hand-dyed, hand-stitched & hand-drawn framed "patch flash sheets."™ Dawn Hunter: Has the business always focused on hand embroidery? If not, how did that evolve? Caroline DeSanctis: It was exclusively vintage clothing & accessories for almost 3 years, until I taught myself how to embroider by hand and eventually evolving that into the current style of the things I make today. I remember stitching the first thing, which was the words Fast Doll on the back of one of my denim vest, and then thinking “oh no, I’m already addicted to this“. I started to post my creations on social media and there was immediate interest. They started to sell more and more and eventually became more popular than any other vintage items that I was selling. I got so busy during the holiday season of 2019 that it became the only thing I had time to do, and I officially stopped selling vintage clothing and renamed the company to simply ‘Fast Doll’. And I’ve been stitching full-time ever since. Above, Caroline DeSanctis, owner of FAST DOLL Hand Embroidery, Charleston, SC. Photo by Michelle Hart, Palmetto Snapshots, Charleston, SC. Dawn Hunter: When did you locate to Charleston? Caroline DeSanctis: I moved to Charleston in August 2020 in the middle of the pandemic! I got here and got straight to work and tried not to miss a beat. I think I took off maybe one full day to unpack when I moved, but that was it, haha. Dawn Hunter: How do you come up with ideas for designs? What is your inspiration? Caroline DeSanctis: I draw inspiration from a lot of vintage 1940s and 1950s iconography, ephemera, magazines, illustrations and tattoos from that era of American history. They had bold black lines and were limited to only a few colors — these designs translate so well to embroidery and look very clean and satisfying when they’re done. I also love pinup art and often make things that represent or remind me of vintage glamour and aesthetics. Dawn Hunter: What is your most popular design? Caroline DeSanctis: I think my most popular designs are any of the flowers that I do, any of the skulls, and the ‘Mama Tried’ patches & trucker hats, haha. The imagery in this work was taken directly from a Sailor Jerry sheet of flash featuring an eagle. This is not one of Caroline's designs. The embroidery is straight-up satin stitching. The eagle is embroidered with white, red, and dark & yellow gold embroidery floss. Flag is sewn with deep navy blue, white, red, gold and brown embroidery floss. Flowers are sewn with mustard yellow, green and black embroidery floss. Images are sewn to an off-white piece of sturdy felt that are then sewn on top of a black piece of felt with black embroidery floss (creating a border) and trimmed to fit. Since each patch is handmade, there may be slight, minor differences and no two patches will be 100% alike. If you'd like a different color scheme for your patch, feel free to make a custom request. Please allow additional processing time for custom requests. Hand-embroidered, hand-sewn and hand-cut black and off-white felt patch. The patch flash sheet features pointy-tipped daggers with a hearts detail and dots details. Image is sewn to an off-white piece of sturdy felt that is then sewn on top of a black piece of felt with off-white embroidery floss (creating a border) and trimmed to fit. Classic & timeless traditional-style rose that looks good on everything. Hand-embroidered, hand-sewn and hand-cut felt patches in 4 different color schemes. Patch features a traditional-tattoo-style rose with three leaves. Great for a leather or denim jacket / vest. Felt Pennants Dawn Hunter: Where can people buy your work? Caroline DeSanctis: My work is always available online at my website — Fastdoll.com — and you can also commission a custom piece from me there as well. I also sell items on my Instagram feed from time to time — @fast.doll. I do lots of local handmade & vintage markets regularly in the Park Circle and North Charleston area. I also have pieces available at The Station, which is located locally in Park Circle. In case you forgot — The boots stay on! ‘The Boots Stay On’ felt pennant featured in two different color ways. • 100% hand-stitched & hand-assembled (no machine!) • Each measure 12” x 6” Fast Doll Web Site

Bulls Island Cape Romain Refuge is an untamed marine forest, pristine beaches and serene trails. A Charleston ferry ride with the possibly of spotting dolphins. Bulls Island Bulls Island is a pristine, untouched barrier island, the largest among four islands in the Cape Romain National Wildlife Refuge. Established in 1932, the refuge primarily aims to protect and conserve wildlife and their natural habitats. Encompassing 5,000 acres, Bulls Island is a thriving maritime forest featuring a mix of fresh and brackish water impoundments and a beautiful beach area. The island's many roads and trails offer ample opportunities for hiking and observing the diverse wildlife. What is Bulls Island? “I go to Nature to be soothed and healed, and to have my senses put together.” –John Burroughs Uninhabited and spanning 6.5 miles, Bulls Island remains largely unaltered by human activity, providing a haven for countless native and endangered species. The island is renowned for its thriving bird population, boasting over 275 species in and around the area. Situated at 5801 U.S. 17 North in Awendaw, the Cape Romain National Wildlife Refuge is approximately 20 miles north of Charleston. Access to Bulls Island is limited to private boats or ferry services. Coastal Expeditions provides a variety of tours to the island, including beach drops and sunrise expeditions. To reach the island from Charleston, take U.S. 17 North through Mount Pleasant and turn off at Garris Landing. A ferry operates twice daily during the summer season (Tuesdays, Thursdays, Fridays, and Saturdays) and on Saturdays only in the winter. Embark on a journey through the estuaries, and, with a bit of luck, you may be greeted by a pod of dolphins as you approach the island. Bulls Island Photo Gallery Explore the photo gallery below and explore all that this untamed beauty in Cape Romain Refuge; a 5,000-acre maritime forest, pristine beaches, and 275+ bird species. Discover serene trails, sunrise expeditions, and possibly spot dolphins. A natural paradise, just a ferry from Charleston. Coastal Expeditions Summer 2024 Bulls Island tour Schedule The Bulls Island Ferry is operated by Coastal Expeditions and they have an updated schedule for 2024, offering more flexible options for visitors during the Spring and Fall seasons. Coastal Expeditions’ current schedule offers visitors choices from 3.5-hour, 4-hour, or 6-hour day trips to explore the island every Tuesday, Thursday, Friday, and Saturday. The spring schedule runs from March through May, while the Fall schedule is from October through December. Morning trips depart at 9 am, with a choice of returning either at 12:30 pm or 3 pm, while afternoon trips start at 12:30 pm and end at 4:30 pm. The summer schedule runs from June-September, and it is a specialized schedule to accommodate the seasonal tides and environmental conditions of summer. The summer time day trips are 5.5 hours from the beginning to end. No need to specify the desired end time when booking a 9 am trip prepare for the duration you prefer and consult with the ferry crew on the day of your journey if you have any questions. Bulls Island Ferry Schedule What is Coastal Expeditions? Since 1992, Coastal Expeditions has been committed to guiding and sharing the beauty of South Carolina's Lowcountry: its lands and waters, plants and animals, people, history, and culture. Their mission is to put people safely and securely in the path of beauty, allowing them to experience meaningful connections with nature. As lifelong students and practitioners of environmental appreciation, they strive to create awe-inspiring moments that reveal the interconnectedness of our world. Coastal Expeditions is comprised of a passionate team of "guides, explorers, and storytellers" who continuously study Lowcountry tides, flora, fauna, and history. They work tirelessly to create new routes and maps, ensuring unique natural experiences that are awe-inspiring and tantalizing the imagination and senses. Experiencing the Lowcountry's natural, mystical, and magical aspects fosters a profound love and respect for this unique region. Their goal is to facilitate "soulful journeys" that allow individuals to become part of the beauty around them. Whether it's the shimmering sunlight on the water, an ancient shark's tooth, or the rush of air through a pelican's wings, they strive to create lasting connections between people and the natural world and believe fostering these connections cultivates a deeper understanding of our place within the universe and inspires a desire to care for our environment. Coastal Expeditions Website Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

Brian Rego, a distinguished US artist, is famed for his evocative landscapes and figurative works. Born and schooled in the art communities of Pennsylvania and South Carolina, he received his BFA and MFA from University of South Carolina and Pennsylvania Academy of the Fine Arts, respectively. Renowned for exhibitions like "Present Memory", Rego's creative vision is widely celebrated in solo and group exhibitions. To play, press and hold the enter key. To stop, release the enter key. The Artistic Vision of Brian Rego: Crafting Masterpieces and Nurturing Future Artists "My work is informed by where I live, and how I live out my life in these respective places. South Carolina has been the culmination of challenge and beauty." Brian Rego is a seasoned artist known for his evocative landscape and figurative works. Born and raised in the United States, Rego's formal art education was forged within the robust arts communities of Pennsylvania and South Carolina.In 2004, Brian Rego achieved a significant milestone, receiving his Bachelor of Fine Arts in Painting from the University of South Carolina. His unique talent was quickly recognized, earning him the prestigious Ed Yaghjian Award for Distinguished Undergraduate Work. Yet, for Brian, this was only the beginning. Driven by a relentless curiosity and an unwavering commitment to his craft, he pursued further studies at the highly respected Pennsylvania Academy of the Fine Arts, attaining his Master of Fine Arts in Painting in 2007. Brian's dedication, however, extends far beyond his academic accomplishments. From the outset of his career, he has demonstrated an exceptional artistic prowess. His solo exhibitions, such as "Present Memory" at the Nancy Margolis Gallery in New York in 2021, "Tiny Mirrors" at the John Davis Gallery in 2019, and "Affections" at the Southside Gallery, also in 2019, have drawn significant attention and acclaim. This acclaim not only cements his status as an accomplished artist but is also a testament to his remarkable creative vision. Furthermore, his work has been featured in various notable group exhibitions, including "Rooms For Strangers" at the Pamela Salisbury Gallery, and "Working Small | A Group Exhibition" at Nancy Margolis Gallery. Above, Dream Walking, oil on board, 15 1/8 x 18 1/2 inches by Brian Rego. Image courtesy of Nancy Margolis Gallery But Brian Rego isn't just about painting pretty pictures. He's got this passion for education that pushes him to go beyond his studio. He's taken on roles as a teacher, a critic, even a visiting artist at different places. He really puts his heart into fostering the growth of young talent, nurturing the next wave of artists who'll make their own marks in the world.. These have included the Jerusalem Studio School in Israel and the University of Mississippi. Notably, he also returned to his alma mater, the University of South Carolina (2008-2019) serving as an Adjunct Professor in 2-D Design Foundations, Figure Drawing and Painting. In 2022, he taught a course, "Considering the Masters: Cezanne and The Organizing Principles of Design," at the Penn Studio School of Art. In recognition of his contributions to the field, Rego received the Blackwell Prize in Painting Award from the University of West Georgia in 2023. This honor underscores the potency and originality of his work. His artistic vision and technique have also made their way into print. In 2022, his thoughts and creative process were shared in "Art In The Making, Essays by Artists About What They Do," where he was featured on pages 228 - 231. From long nights in the studio to countless hours in the classroom, Brian Rego's journey through the art world is a shining example of how grit, imagination, and a love for teaching can shape a successful career. Every brushstroke tells a story, and Brian's art, full of beauty and depth, reflects his unique take on the world around him. But what's really cool is that his work doesn't just hang on gallery walls - it also lights a spark in young artists who dream of following in his footsteps. Pair that with his impressive list of exhibitions and teaching roles, and it's no wonder Brian is making waves in the modern art scene. Above, Swimmer, oil on board, 14 1/4 x 18 1/2 inches by Brian Rego. Private Collection Q & A with Brian Rego Dawn Hunter: What initially sparked your interest in art, and how has your upbringing in South Carolina shaped your artistic style and career? Brian Rego: From the time that I can remember, I had an interest in drawing. Looking back, it seemed like a natural thing to do. There are certain people who have temperaments that compel them to record their experiences to understand the significance of them, and to tell their stories. I grew up reading and drawing Sunday comics and followed the styles of Berkely Breathed, Bill Watterson, and Jim Davis. I was overtaken by how real the characters felt, and how easy it was for me to relate to them. I engendered a deep affection for these illustrators, for treating with such care and attention, their ability for, and dedication to storytelling. For a moment, I found a place to belong. I soon developed my own characters, and told my own stories. My grandmother was an artist, a painter. When she was in her twenties and thirties, she painted in oils, but by the time I had come to know her, she was a watercolorist. I loved her work as a boy, and I wanted to emulate her. I didn’t relate to art as an ideology, but I understood it through my grandmother. I was in awe of the non-diminishing return of her work, how the power of her paintings intensified the more time I spent with them. But I wouldn’t try my hand at painting until my twenties. (continued below) Brian Rego painting en Plein air. Girl in Garden, oil on canvas, 20 x 29 inches, oil on canvas by Brian Rego. Courtesy of Nancy Margolis Gallery. Brian Rego: (continued) I completed my BFA in painting at the University of South Carolina, and as a student, I had two professors who made a huge impact in my artistic development. One was in figure drawing, the other was in painting. Together, they pushed me to be my best while providing me the room to experiment, to struggle, to fail. If I managed to succeed in one area, it was met with brief acknowledgement and the demand to do it better; they were constantly looking ahead. I am grateful for that now because any time I am met with success, I treat it the same way, and that allows me to focus on the work instead of the results. I learned that failure and success are just a part of life, but given too much attention, they become detrimental to the growth of one’s work. My work is informed by where I live, and how I live out my life in these respective places. South Carolina has been the culmination of challenge and beauty. I paint from life, so the heat of the South is always a barrier to my work, but because I struggle against it to paint in the landscape, the work is neither sluggish nor indulgent, but urgent and direct. I have taken to the discipline of working in the studio once the painting is developed enough to sustain the use of memory as a resource. My blessed wife and four children have contributed to the necessity of this development in the process of making paintings, and I have grown to love it. Memory has a limitless capacity for engaging the imagination, and as I learn to channel that powerful interaction through my sensibilities, the expression through the material, as a consequence, has shown itself to be something of a personal style. But I don’t give much attention to that; I focus more on the accuracy or the tone of the gestural expression of form through paint. Artist Brian Rego working in his Charleston, SC studio. East Bay Street, oil on linen, 20 x 24 inches, by Brian Rego. Courtesy of the artist. Dawn Hunter: Your solo exhibitions, including Present Memory; Tiny Mirrors; and Affections; have garnered a lot of attention. Could you give us a glimpse into the creative journey that led to these pieces and what they represent for you? Brian Rego: Each piece of every body of work is a visual accounting of my life in a certain place, in a certain time. But the paintings are about themselves, they are not about me. I just use what is around me and how I engage with those things as material to make the work. I have my own attachments to the work, my own entry points, but those will be different for someone else and what I have to say will only hinder their relationship to the painting. Each painting needs its autonomy. I need to keep looking ahead to what is next, not because I know what to look for, but to keep myself moving, one step at a time. Dawn Hunter: Alongside creating your own art, you’re passionate about teaching and nurturing the next generation of artists. How has this commitment to education shaped your own artistic workand the way you view your role as an artist? Brian Rego: I believe in giving back. I have had many people contribute their time, energy, knowledge, and love, to my development as a person and as a painter. The biggest influences in my life, aside from my family, have been teachers. I am grateful for the ability to teach, but even more so for the desire to do it. It brings me satisfaction to share something that I consider to be so good and so rich with other people. I love to see people struggle and grow, to see them enriched; I never tire of it. This attitude has fostered within me an ardent love for what I do, and in a way, it justifies what I do. If I painted exclusively for myself, I don’t think I would do it. Pineapple Fountain, oil on canvas, 22 x 28 inches by Brian Rego. Courtesy of Nancy Magolis Gallery. Dawn Hunter: You’ve been honored with several awards, like the Ed Yaghjian Award and the Blackwell Prize in Painting. What influence have these recognitions had on your artistic perspective, and what words of wisdom would you share with budding artists aiming for such honors? Brian Rego: Awards are wonderful because they represent someone believing in the value of your work, but whether the work is received favorably or unfavorably, the focus must be set upon the needs and demands of the work, which are established solely between you and what you make. Do not aim for honors, it is a distraction. The people who honor you will also dishonor you the moment you and your work cease to represent the values they hold dear. If you, especially as a budding artist, give that level of influence to someone else, you will lose your way. Expect there to be good times and bad times, but remember that each does not last. Listen to your heart, follow your gut, and move onward. It is not about you, it is about the work. Dawn Hunter: What do you hope viewers will experience or understand when they interact with your art? Looking forward, are there any new themes or techniques you’re looking forward to incorporating in your upcoming works? Brian Rego: Ideally, my hope is for a viewer to enter into the compressed space of the painting, slowly expanding, finding themselves immersed in another world. One that connects deeply to the viewer’s interior world, to their sensibilities, and form a connection to it. My hope is for the viewer to understand that the painting is there to be seen and that it reveals itself in layers, that it imparts something of value, but that it takes time. Regarding my upcoming work, I want to paint on bigger surfaces. I want to learn how to make large paintings, really get into things. I am working out the practical aspects of making large paintings on location, and then of course, how to paint them. Above, Woman Sunrise at the Park, oil on line, 22 x 26 inches, by Brian Rego. Courtesy of Nancy Margolis Gallery. Nancy Margolis Gallery | Brian Rego

Explore Bohumila Augustinova's art-community blend. Her YarnBombers of Columbia initiative livens up the city with crochet art and 'Giving Tree' every winter. Uncover her Jefferson Service Award-winning journey in our SC People interview. Did you ever wonder how the trees got their scarves? An interview with Bohumila Augustinova, by Dawn Hunter. An interview feature with 2021 Jefferson Award recipient, Cola City Yarnbombing leader and Columbia Art Center Director, Bohumila Augustinova. Above, Bohumila Augustinova, Director of the Columbia Art Center. Photo by Dawn Hunter. Q & A with Bohumila Augustinova Introduction: While aesthetically improving the forefront of a local business five years ago, Bohumila Augustinova, unwittingly launched a Cola City art installation winter staple by YarnBombers of Columbia on Main Street and beyond. The Yarnbombers of Columbia is a group that Bohumila spearheaded brings together over one hundred local artists who create unique, brightly colored, and patterned crocheted and knitted forms that they wrap around trees or parking meters during the winter months. The project evolved beyond aesthetics with the emergence of the “Giving Tree” located on the corner of Main and Taylor, downtown Columbia. As part of the tradition, artists hang hundreds of scarfs, hats, and gloves for anyone to take and use from that tree. This past December, Bohumila was recognized for her hard work and community investment with a Jefferson Service Award. Yarnbombers of Columbia art, downtown Columbia, SC. Photo by Bohumila Augustinova. Dawn Hunter: How did the "Giving Tree" get started? Bohumila Augustinova: Our first installation by the Yarnbombers of Columbia was on Main Street, and it was during the winter. At the end of our first installation day, an artist noticed a man "stealing" part of an installation wrapped around the bottom of a tree. Later, we saw him walking downtown, and he was wearing it as a scarf, and then we realized that it was not an act of theft but necessity. After that, the group created scarfs, hats, and gloves and offered them free at the tree site to anyone who needed them. It is now an annual tradition. Items are installed during November and are up until mid-March. Yarnbombers of Columbia art, downtown Columbia, SC. Photo by Bohumila Augustinova. Dawn Hunter: Your Jefferson Award is incredible and well deserved. The Jefferson Award, also known as Multiplying Good, recognizes members in the community who selflessly give of their time, embrace service to others as an essential part of life, and have a positive impact on the community. What are other initiatives that you participate in, other than Yarnbombing? Bohumila Augustinova: I have volunteered at Transitions for years. In that capacity I have offered classes in crafts, like teaching others how to crochet. I also collaborated in workshops with Brenda Oliver, the former Columbia Art Center Director, at Transitions and we were part of a team of volunteers. I haven't been able to volunteer as much as I would like to during the pandemic. I am able to continue community service and outreach through my role as director at the Columbia Art Center. Scraffito ceramic bowl by Bohumila Augustinova. Photo by Dawn Hunter. Dawn Hunter: Tell me more about that. Bohumila Augustinova: Other than our regular roster of classes that we offer at the Columbia Art Center, we work with members and organized groups from the community. Examples of groups that we work with are veterans, the Girls Scouts, homeless, and international groups. We also have a partnership with Sister Care, a national organization that assists women who are trying to escape abusive relationships. There are other initiatives that we participate in, too, like, Art Along the Trail, a dynamic visual and performing arts experience that occurs at Columbia's Riverfront Park. Scraffito ceramic bowl by Bohumila Augustinova. Photo by Bohumila Augustinova. Dawn Hunter: What is the most rewarding part of your job? Bohumila Augustinova: All of it. There are so many examples. I love our international programming because the event is for an entire family, and I witness multiple generations conceive of and create a collaborative art project on those occasions. Our programming features fantastic teachers who are dynamic members of the local art community. I am always looking for people who want to volunteer or participate in some capacity. It is exciting because it is a community-driven job, and my day-to-day activities change based on needs - so it is unpredictable. We offer Open Studio memberships to local artists who utilize the work studio space to create ceramic work. Through their membership, artists are given a 25-pound bag of clay, use of the studio, a shelf for storage, access to various glazes, and use of our kilns. They are able to hand build work or throw pottery on the wheel. Scraffito ceramic bowl by Bohumila Augustinova. Photo by Bohumila Augustinova. Dawn Hunter: Tell me about your art. Have you always created ceramics? Bohumila Augustinova: No, but I have always been creative. All of my life, I was sewing my own clothes as a young child - when I was the same age as Darcy! Dawn Hunter: Didn't you win the Columbia Design League's Runaway Runway twice? Bohumila Augustinova: Yes. Dawn Hunter: How do you decide what materials to use? Bohumila Augustinova: My mom was always making something creative, and she was very innovative. I didn't think it was unusual. Making things was just part of life, and it really didn't matter what the material was. I went to college for fashion design, but when I was done with school, I knew I didn't want to pursue a career in the industry. I have never felt afraid to try new forms of expression, and I have made a lot of art work from recycled materials, and I teach classes that focus on sustainability and use recycled materials, too. Dawn Hunter: You used wire for many projects, too, right? Bohumila Augustinova: Yes, that is correct. I am originally from Czechoslavakia, now known as the Czech Republic. One summer, when I was visiting home after moving to South Carolina, I borrowed my niece and took a class structured for mothers with small children. Not all of the projects were collaborative, and they offered workshops that were just for adults. One of the workshops was in traditional Slovakia tinkering. That is a tradition where experts in the craft travel from town to town to create a wire cover, or casing, for the clay cooking pots. It prevents them from cracking or breaking during use. I took to the medium naturally, and when I returned to the United States, I started making jewelry, too. I expanded the language of the wire beyond its traditional use, and I have created many projects out of it, including my Supper Table setting for Jasper. That table setting was symbolic and expressive of the late Elizabeth Evelyn Wright's life. Dawn Hunter: Your current sgraffito work in clay is expressive, too. How do you come up with the color and patterns? Bohumila Augustinova: When I first started, I found inspiration in mid-century design. Now I find inspiration from the natural outdoor surroundings of my home, like patterns and colors from my garden or ripples from the fish swimming in the pond. Dawn Hunter: What's next? Bohumila Augustinova: Well, this week I am participating in the Cottontown Art Crawl on March 12th, and as things slowly open up more, I hope to expand my volunteer work - both personally and professionally. The pandemic has made it challenging to gather in the numbers that some outreach initiatives require. Outreach has been a big part of my life and artistic practice, and I am looking forward to future projects. When I came to Columbia, I immediately felt a sense of community and belonging. I love my work at the Columbia Art Center, and it is rewarding to be part of the process that enables people to be inspired and create. That inspires me. Yarnbombers of Coulumbia art. Photo by Bohumila Augustinova.

Darcy creates cupcakes for her teachers, using limited edition Dolly Parton frosting. This gesture showcases her creativity, love for Dolly Parton, and gratitude. Soft Serve Vanilla Ice Cream PHOTO ESSAY BY DAWN HUNTER AND DARCY PHELPS, NOVEMBER 19, 2022 We are so excited to get a new ice cream maker, and we went for a reasonably priced model created by the brand Tasty. There were a range of colors to choose from, and we were able to select one that suited Darcy's style. She promptly decorated it with a sticker created by one of her favorite YouTubers and a source of her inspiration for Dish with Darcy™, Moriah Elizabeth. We watch her creative YouTube channel every Friday together. "Nobody has everything and everyone has something” - Moriah Elizabeth Homemade Vanilla Ice Cream Darcy has been trying to make ice cream in a plastic bag for the past few weeks. The results were less than she desired even after shaking the mixture in salted ice. Since tackling ice cream from scratch and minimal technology had been frustrating, we decided to go for a recommended ice cream mix. The mix we found, Junket Ice Cream mix, was simple to follow and only required a few ingredients that we already had in our kitchen. After a few trial and errors, we finally had a delicious and smooth soft serve ice cream that we could enjoy! tasty.co Moriah Elizabeth Junket Desserts Unique History Ice cream's origins can be traced back to ancient China. Its appearance can be traced to Italy through Marco Polo and then to France with Catherine de Medici. Eventually, it made its way to the US through Thomas Jefferson. European ice creams appeared in Italy during the 1600s and eventually became popular throughout Europe by the mid-century. This is recorded in letters, journals, and records from Paris, Florence, Naples, and Spain. "I scream, you scream, we all scream for ice cream!" - Howard Johnson History continued: Ice cream reached America with European settlers and was served by the first lady of colonial Maryland as early as 1744. George Washington bought a mechanical ice cream maker for Mount Vernon in 1784. Thomas Jefferson, who developed a taste for French-style ice cream while in Paris, served it at the executive mansion at least six times and wrote ten recipes, including one for vanilla ice cream with egg yolks. By the late 19th century, ice cream had become a popular treat in America. In 1874, the ice cream soda was invented, and by 1881, the sundae made its debut. The waffle cone stole the show at the 1904 St. Louis World’s Fair, while Popsicles were patented in 1923. Both Dairy Queen and Carvel claim to have created soft-serve ice cream in the mid-1930s, and frozen yogurt hit the scene in the 1970s. Junket Vanilla Ice Cream Recipe 3 Junket® Rennet Tablets 2 tablespoons cold water 3 cups whole milk 2 cups heavy whipping cream 1 cup sugar 4 tsp vanilla Dissolve Junket® Rennet Tablets in cold water by crushing. Set aside. Combine remaining ingredients in saucepan. Heat while stirring to lukewarm (110º F). Remove from stove. Add dissolved tablets. Stir a few seconds and pour immediately into freezer can. Let set at room temperature until firm and cool. When mixture is set, place container into the ice cream freezer and follow manufacturer’s instructions. Begin churning until it is frozen.

"Unearth SC's cultural vibrancy on our page featuring top-tier art exhibitions and special events. Our visual, photographic essays provide an in-depth view of select art exhibitions in South Carolina, featuring solo shows and group exhibitions. Learn more the flourishing arts scene in SC." Culture South Carolina Sunshine™ | Special Focused Content and Listings of Cultural Events in South Carolina. Table of Contents Icons Scroll and click on an icon image below to go a Culture section you are interested in reading. Tina Williams Brewer | Stories of Grace Immerse yourself in the rich narratives of Tina Williams Brewer's story quilts at the Columbia Museum of Art. For over four decades, Brewer has woven her personal experiences, historical accounts, and vibrant textiles into her unique quilts, offering a profound exploration of African-American history and spirituality. The "Stories of Grace" exhibition, open until September 3, 2023, showcases her hand-stitched, collage mixed-media pieces that map out her heritage, the African diaspora, and the connections between past, present, and future. Journey through intricate layers of symbolism and culture, Tuesday to Sunday, with extended hours on Thursday. More Carla Gannis/ C.A.R.L.A. G.A.N. Carla Gannis' WWWunderkammer is a pioneering endeavor, challenging traditional museum narratives by reimagining the classic 'cabinet of curiosities', known as Wunderkammer. She employs cutting-edge technology to fuse physical and virtual realms seamlessly. The physical installation reflects her continuous online project found on Mozilla Hubs and high-definition desktop VR, welcoming viewers to distinct thematic 'chambers'. Each chamber explores critical facets of contemporary life - from environmental challenges to the digital revolution's impact on self-perception and language. Gannis harnesses the power of augmented reality in her gallery display, blurring the line between the virtual and the real. This approach helps her investigate the essence of human existence in the internet age while promoting universal access to knowledge. More Elizabeth Catlett Experience the captivating artistry of renowned artist Elizabeth Catlett at the Columbia Museum of Art (CMA). This significant survey exhibition comprehensively overviews Catlett's illustrious career as a printmaker and sculptor. Alongside her works, the collection includes select pieces by mentors, peers, and students who shared a personal connection with Catlett. Additionally, the installation incorporates additional artworks from the CMA Collection. Witness the profound impact of Elizabeth Catlett's artistic journey, spanning an impressive seventy years. Her art sought to give visibility and voice to underrepresented individuals, often focusing on laborers, women, and African Americans. Addressing social issues relevant to the United States and her adopted home of Mexico, Catlett's powerful figures embody resilience while acknowledging the struggles Black and Mexican working classes face. More Jordan Sheridan Introducing the winner of the prestigious 2022 701 CCA Prize, Columbia-based artist Jordan Sheridan. This biennial juried award, presented by the 701 Center for Contemporary Art in Columbia's Olympia neighborhood, recognizes the talent of South Carolina artists under 40. Jordan Sheridan is an emerging artist known for her captivating installation art. Her remarkable talent and dedication have been acknowledged with the distinction of being named an SCAC Emerging Artist for FY2022. Currently serving as a full-time faculty instructor at the University of South Carolina's School of Visual Arts and Design, she imparts her expertise to aspiring artists through her engaging painting courses. More 701 CCA Prize Finalists Welcome to the captivating 701 CCA Finalists Exhibition, now open at the esteemed 701 Center for Contemporary Art. Prepare to be mesmerized as three exceptional artists and finalists for this year's prize showcase their visionary works until January 15, 2023. Step into this exhibition and immerse yourself in a world of artistic brilliance. Each artist, including the talented Kate Hooray Osmond, Jordan Sheridan, and Brittany Watkins, pushes boundaries and invites you to explore their unique creative perspectives. From innovative techniques to thought-provoking concepts, their creations will ignite your imagination and inspire you. More Art by Krigga Enter the captivating world of the Omphalos, a convergence of time and perspective. In this exhibition, presented by the visionary artist Dogon Krigga, two distinct collections of works harmoniously blend the past and the future. Embracing the timeless beauty of Black thought and form, Dogon Krigga invites you to celebrate the resilience and boundless creativity of the Black experience in the ever-present now. Breaking away from the narrative of Black suffering that pervades historical records and art, the Omphalos seeks to cultivate a space where Blackness thrives. By highlighting the gifts, abilities, and interconnections within the Black community, Dogon Krigga's art becomes an act of rebellion and revolution. Afrofuturism is a powerful tool, reminding us of our mastery and potential in this realm while liberating our minds from societal constraints. More Tyrone Geter Step into the realm of powerful artistic expression with Tyrone Geter's exhibition at ArtFields' TRAX Visual Art Center in Lake City, South Carolina. Over the past six months, this exhibition has left an indelible mark on the art scene, showcasing Geter's masterful mixed media drawings that blend exquisite draftsmanship, torn paper, and found objects into visually captivating statements. Each artwork is a testament to Geter's immense talent and resonates as a profound experience in its own right. Geter's creations operate on multiple levels, transcending mere aesthetics. While some pieces look into his personal journey, many images explore the complex dynamics surrounding race, gender, and economic structures within contemporary American culture. More Adrian Rhodes We are delighted to feature the enthralling realm of Adrian Rhodes, winner of the esteemed 701 CCA Prize in 2020. Celebrated for her artistry in printmaking and mixed media installations, Adrian's solo exhibition "How to Untie a Tight Knot" was a result of her dedicated six-week residency at the 701 CCA. With academic roots in Rock Hill's Winthrop University, Adrian has gained recognition in the Carolinas and beyond. Her work, exploring the paradox of longing for and escaping the past, provides a captivating lens into the human psyche, using recurring motifs to express the intricacies of relationships. More Ginny Merret Meet Ginny Merett, a dynamic artist and passionate art educator, who has been a vibrant part of Columbia's art community for over thirty years. Known for her striking, graphic collages, Merett's art may seem playful and whimsical at first, but it carries profound undertones addressing societal norms, cultural, gender and racial identities. Currently, she holds the distinguished position of Artist-in-Residence at The Jasper Project. Her intriguing creations can be appreciated at Sound Bites, nestled in the heart of historic downtown Columbia, at 1425 Sumter St, Columbia, SC 29201. Don't miss the opportunity to experience her captivating work, which will remain on display until the end of July 2022. More Margaret Curtis Welcome to the world of Margaret Curtis, a prominent figure among contemporary American artists. Known for her distinctive and ground-breaking art, she is currently represented by the esteemed Tracy Morgan Gallery in Asheville, NC. Margaret's oil paintings tell stories through their imagery, and their physicality also forms a deep, visceral connection to their underlying themes. Her widely recognized and critically acclaimed artwork has recently been bestowed with the distinguished Joan Mitchell Foundation Fellowship, an award that requires an exhaustive selection process. The fellowship, amounting to $60,000 spread over four years, has enabled Margaret to augment her studio and broaden her creative horizon. More ArtFields 10th Anniversary Exhibition ArtFields celebrated its 10th year, showcasing 369 artists from 12 Southeast states in a nine-day festival from April 22-30, 2022. We were thrilled to have "The Darcy Inventory" in the competition and equally enjoyed experiencing the festival as attendees, filled with South Carolina Sunshine. The ArtFields festival, which began in 2013, aims to honor Southeast artists with celebrations and competitions, providing over $100,000 in cash prizes. This year's winners were Noah Scalin, MyLoan Dinh, Melvin Toledo, and Jonathan Imafidor. Enjoy the photo essay and immerse yourself in the art that left us in awe. More Jasper Project 10th Anniversary Party On April 14, 2022, we celebrated the 10th Anniversary of The Jasper Project at 701 Whaley. This event paid tribute to a publication that has become a cornerstone of Columbia, SC's cultural landscape. Under the guidance of Cindi Boiter, the magazine offers invaluable insights into our vibrant community, spotlighting the lives and works of local artists, performers, dancers, musicians, and writers. The celebration evening echoed with tunes from Adam Corbett, Post-Timey String Band, DJ Preach Jacobs, and Dick Not Richard, accompanied by a spellbinding performance from the Columbia Repertory Dance Co. Explore the captured moments from the event in our photo essay featured below. More Lady Gamecock Parade Main Street was abuzz with excitement as countless UofSC WBB supporters gathered to commemorate their second historic national championship. The triumphant victory was clinched on April 3 in Minnesota, where they bested the UConn Huskies. Jump into the jubilation of the event through our photo essay to view highlights from the celebration! More Anila Quayyum Agha Anila Quayyum Agha, an American artist of Pakistani origin, brings enchanting realms to life within her exhibition spaces. Her exhibit, "Let a Million Flowers Bloom," leverages halogen bulbs nestled within meticulously crafted and lacquered steel. This technique casts mesmerizing shadows that "paint" the gallery walls, creating an immersive environment that makes us feel as though we've stepped into a chapter of Lewis Carroll's Wonderland. Our take on the exhibit? It's superb! Experience the wonder for yourself from February 19 through May 29, 2022. More

Explore Diana Farfán's whimsical ceramic sculpture, who often offers social commentary in her art. Learn about her impactful community role in our interview. To play, press and hold the enter key. To stop, release the enter key. Artist Spotlight: Diana Farfán "My advocacy is something that I learned to use as I felt the need to implement strategies that elevate my Latino community and educate others about us." Featured in this section is a portrait of Diana Farfán in her studio taken by Will Cooks. A native of Bogotá, Colombia, our artist spotlight Diana Farfán's lifelong affinity for ceramic sculpture was sparked by pre-Hispanic figures and colonial architecture. After finishing her BFA at Universidad Nacional de Colombia in 1999, Diana expanded her horizons, gaining new perspectives at universities in Alaska and Taiwan. In 2010, she added an MFA from the University of South Carolina to her academic credentials. Now settled in the heart of Greenville, South Carolina, Diana expertly juggles multiple roles. She's not just a sculptor but also an instructor and a passionate advocate for Latino artists. From orchestrating art exhibitions to drafting strategic plans, she's got a lot on her plate but manages it all with aplomb. Known statewide for her community involvement, she's a Liberty Fellowship alumna and Aspen Global Leadership Network member. Diana's work, noted for its whimsical, thought-provoking figures, has received multiple accolades, including the Best in Show at the South Carolina State Museum's 30th Anniversary Juried Exhibition in 2018 and the First Place Award at the 2015 Pickens County Museum Artists Exhibition. Her installations, such as "The Dream Life of Broken Toys" and "The Toy Republic," revealed biting social and political commentary through seemingly innocent toys and puppets. Linthead by Diana Farfán Q & A with Diana Farfán Dawn Hunter: Diana, your work often features dolls, puppets, and toys with deep, meaningful narratives hidden beneath their playful exteriors. What initially inspired you to choose these forms as a medium for your social and political commentary? Diana Farfán: Since I can remember, anthropo-zoomorphic forms have come out of my mind and hands easily. At an early age, I perceived that I could create my stories and that my body was always available for anatomical references. I enjoyed making fabric and paper puppets that embodied my characters and staging short plays to parody family and friend situations. Bogota, where I grew up, experienced many social conflicts due to the civil war and the anti-narco battle in Colombia, so it was usual to hear hostile descriptions of violent events broadcast on the news. I remember playing with my toys, dramatizing scenes from those disturbances while giving a sense of the national and world chaos in those years with my playful characters. Years later, after finishing my BFA, I worked as an art teacher in public schools in Bogotá, Colombia, and I came across the reality of many children who came from families displaced from the countryside to the city, fleeing from social conflicts derived from those wars I used to hear from the radio. This experience redirected my gaze toward the issue of manipulation when observing these young lives in vulnerable conditions. In 2002, I began to develop a visual proposal based on marionettes, puppets, and ceramic dolls that served me well to exemplify the theme of reverie, innocence, and control. Consecutively my work was expanding in a more human-nature sense. In a capitalist and consumerist system, in which everyone is manipulated but also manipulative, we play the game of action and reaction, give and take, pull and push, victim and victimized. We are part of a social fabric with invisible strings that connect us. When our purposes are positive and collective, we are constructive and grow. When our goals are ambitious and selfish, sadly, we become destructive and obstructive. Although my social and political commentaries hold desperation and sadness, I intentionally leave traces to find light and hope in my sculptures. 1+1=3 by Diana Farfán Detail of Linthead by Diana Farfán Dawn Hunter: You've truly made a mark on the Latino arts community through your art and your advocacy work. Can you recall a specific moment when you felt your contributions really made a difference? Why does that memory stand out to you? Diana Farfán: In 2012 I joined Palmetto Luna Arts' Board of Directors, an organization based in Columbia, SC, whose mission is to foster an understanding of the Hispanic/Latino culture by promoting artistic creation and providing opportunities for cultural expression for the community in the state. It was my first experience working for a non-profit, and I needed a clear path to advocate for my community, but eventually, things started working well. I learned about cultural agency and how to use art as a tool to open dialogues among diverse groups. For example, we, Latinos, are often stereotyped as loud, colorful, party people who eat tacos, beans, and rice; and wear flower-printed clothes, braided hair, long mustaches, and sombreros. However, we are much more than that. There are 20 countries and 14 territories in Latin America, each with specific idiosyncrasies and a vast diversity of body looks, ideologies, traditions, folklore, heritage, and cultural expressions. To illustrate that, here are two examples. In 2016, 12 Greenville-area Hispano-Latino artists from 8 countries participated in Feeling Latino, an art exhibition held at the Metropolitan Arts Council whose purpose was the celebration of the different nationalities sharing the same language and territory. The opening night was a great hit, and the gallery was utterly packed with Latinos and people from elsewhere exchanging experiences regarding cultures, art, and life. Another successful event was Ecos (Echoes), conceived by The Citadel Oral History Program and orchestrated by PLA. In 2018, a group of nineteen artists from SC was tasked with listening to real stories of immigrants told by their protagonists to create artwork based on their interpretations. The creation process took approximately ten months, and every artist was asked to report the progress of their works before submitting the final pieces. I witnessed how the commotional stories profoundly touched every artist. I was surprised at the chain effect when the artists' relatives, friends, colleagues, etc., got engaged with the processes and felt identified by the works' narratives. The Columbia Arts Museum's Community Gallery was the first space to host Ecos, and once again, the opening reception was a big turnout. It was the first time for several of the attendees to visit a museum that day. It was significant for the artists' families, grandparents, aunts, uncles, etc., to feel proud of their heritage and, most importantly, included in such an important art institution. Ecos was planned as a tour exhibition for two years, but until 2021 it was visiting cities in other states, including NC and OH. My advocacy is something that I learned to use as I felt the need to implement strategies that elevate my Latino community and educate others about us. Linthead Installation by Diana Farfán in the Mill District, Columbia, SC Dawn Hunter: Your body of work is quite diverse, ranging from your earlier creations to your recent series "Bread and Circus". How would you describe the evolution of your art and what has influenced this journey? Diana Farfán: My first pieces, during the last years of my undergraduate program, were based on my interpretation of Bogota's citizens and our way of navigating a chaotic society. Aesthetically, my ceramic pieces evoked armatures and shields, as if human bodies were unearthed or hidden and protected by an impenetrable breastplate. They were large-scale with an industrial look and earthy colors, possessing a nostalgic urban presence. Then, while I worked as an art teacher for the public school system in my hometown, my ceramic production was based on my student's lives. I used babies and child-like shapes to make them articulated puppets and marionettes, joined with rusty nuts and bolts, hung from strings with movable armatures, conveying a fragile but resilient look. I wanted these ceramic bodies to communicate control, manipulation, and hope. I felt the need to speak about my home country's social and political situation, Colombia, which also reflected what was happening globally. During my graduate program, I intended to communicate my thoughts more efficiently, playfully, and poetically with casted shadows, soundtracks, built stages, and display devices such as rusty metallic swings, stools, and sandboxes made from found steel machinery or disposed of wooden components. My original puppet style branched into many toys that gained a dramatic and powerful dimension, narrating childhood innocence and the intrinsic and complex possibilities of adulthood in politics, religion, and education. The meaning of toys as objects or channels of entertainment, training, and learning is what I felt compelled to use. More recently, the human anatomy I used in my figures comes back and forth. I create specific anatomical measurements for my characters depending on the story I want to pursue, where the use of the body ranges from the classic cannon to abstract and conceptual representations. My latest ceramic production involves my concerns about the human relationship with animals and the environment and my preoccupation with overpopulation and our unstoppable consumerism. Pursuit of Happiness by Diana Farfán Dawn Hunter: Your artwork is absolutely unique and full of character. I'm curious, what does your creative journey look like? How does an idea in your mind transform into one of your distinctive sculptures? Diana Farfán: Before I start a body of work, an installation, or a singular piece, the content and physicality are the elements I define first. I enjoy exploring techniques, materials, and styles and combining different approaches to create my figures. My daily experiences are the portals to stimulate my mind, create projects, transform clay into shapes, and adjust my figures. I find inspiration in occurring that enables me intellectually and emotionally. The stories of the people around me, news of my home country, international affairs, art, a song, a movie, a conversation, a memory, and many other subjects touch my soul. For instance, my love for animals led me to volunteer for the Greenville Animal Shelter in 2019. Still, I learned quickly about the sad side of inhumane animal treatment in my area, in SC, and beyond, such as unregulated animal breeding for profit and the cruel dog and cock fights. I needed to educate myself and the kids on animal issues to prevent animal injustice in my community. That journey taught me about a particular field called Humane Education, which is an action-oriented field of study that draws connections between human rights, animal protection, and environmental sustainability. I got excited to know that HE is taught as a subject and curriculum in various US states, but unfortunately, not in SC. So, I decided to use my two preferred art mediums, ceramic sculpture, and education, to address my concerns and advocate for the voiceless. My recent body of work -Conversation Starters, Constellations, and Pursuit of Happiness- is oriented to speak out about humans' scary impact on nature, the environment, and all living creatures. I need to externalize my concerns because it burns inside if I don’t do it. Dawn Hunter: You've been recognized with several awards and exhibited at numerous prestigious venues. What would you consider your proudest moment as an artist so far and why? Diana Farfán: To be recognized is something I don't think about. However, when I achieve a goal, an award, or any accomplishment, I take it as an opportunity to grow, educate others on ceramic art, and practice to be humble. Perhaps my proudest moment achieved as an artist was my MFA graduation day because my parents flew from Bogota, Colombia, and my sisters with in-laws came from far to celebrate with me. My family and husband, all my most loyal supporters, felt my graduate degree was a mutual effort. They knew how challenging it was for me to successfully culminate three years of an academic program as an international student when I had to improve my English, develop a cohesive body of work, cultivate relationships, learn how to navigate a new city, and adjust to the American culture, all together at "the speed of light." Diana Farfán's Website dianafarfan.com Share this interview! Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link Artist: Diana Farán| LOCATION: Greenville, SC Title: The Last Kiss. 2023 Competition Year. The Last Kiss by Diana Farfán

Bulls Island Cape Romain Refuge is an untamed marine forest, pristine beaches and serene trails. A Charleston ferry ride with the possibly of spotting dolphins. Congaree National Park Congaree National Park hosts a diversity of wild life, being the largest preserved stretch of old growth bottomland hardwood forest in the southeastern United States. The floodplain is revitalized by the waters of the Congaree and Wateree Rivers, which deliver essential nutrients and sediments. This natural process fosters a rich ecosystem and sustains the impressive national and state champion trees found within the park. What is Congaree? Our forests offer much more than just beautiful landscapes and wildlife. Each one has a different story to tell. - Raveena Tandon Congaree National Park is a favorite attraction for many hikers and kayakers. It is a 20,000-acre, federally protected wilderness. The park is known for its “giant hardwoods and towering pines.” It is a floodplain forest with one of the highest canopies in the world. The 2.6-mile boardwalk is an excellent introduction to the park. Visitors can explore the park by foot, kayak, or canoe. To ensure a safe park visit, we would like to point out that cell phone reception within the park is very spotty, therefore, it is important to be well-prepared before hiking, camping or kayaking. It is also essential that you inform someone about your plans and it is paramount that you leave your itinerary behind in case of emergencies. Equip yourself with appropriate clothing and footwear and carry necessary items such as water, snacks, first aid kit, map, and compass. Congaree National Park Photo Gallery The best time to visit Congaree National Park is during the fall, from October to early November. The crowds are low, the leaves are changing, and there are fewer bugs. Congaree National Park Basic Information Before your visit, check the weather forecast. Conditions can change rapidly, and flooding is a potential hazard, and can occurwith little or no warning. During the summer months, mosquitoes can be bothersome; bring insect repellent for a more comfortable experience and protect yourself from insect bites. Activities that are permissible in the park are hiking into the Congaree wilderness, canoeing or kayaking into the park's heart by way of Cedar Creek, and paddling the 50-mile designated recreational paddle trail. Those who want an immersive experience in Congaree National Park can "stay in one of the park's primitive campgrounds or in the park's wild backcountry." Fishing is also permitted in the park; however, it is important to be informed of the policies. The park is open 24 hours a day, every day throughout the year and closed for observed holidays. Congaree Holiday Closure Schedule Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

Experience the intricate, story-rich quilts of Tina Williams Brewer at Columbia Museum of Art's "Stories of Grace." Brewer's hand-stitched creations explore themes from African diasporic history to spiritual connections, capturing the resilience and grace of African American culture. Tina Williams Brewer Stories of Grace, June 10 -September 3 , 2023 Tina Williams Brewer, a West Virginia native, has a career spanning more than four decades, during which she has skillfully intertwined personal experiences, historical narratives, and vibrant textiles to create her signature story quilts. Her dynamic, hand-stitched pieces are often richly inspired by her extensive travels, including significant time on St. Helena Island in South Carolina. These inspirations infuse her work with diverse themes reflecting African diasporic history, spiritual connection, shared lineage, and migratory patterns. "My intention is to give dignity to human suffering, finding rhythms that are both mind-stirring and soul-soothing." - Tina Williams Brewer A remarkable collection of her work, the "Stories of Grace" exhibition, can be appreciated at the Columbia Museum of Art through September 3, 2023. The museum's doors are open Tuesday to Sunday from 10 AM until 5 PM, extending their hours to 8 PM every Thursday. Born in 1949 in Huntington, West Virginia, Brewer now resides and creates in Pittsburgh, Pennsylvania. She holds a Bachelor of Arts degree from the Columbus College of Art and Design, honing her unique artistic voice over 40 years. Her story quilts weave together symbolism, textiles, and an exploration of African-American history and spirituality, reflecting themes of generational healing and cultural resilience. Her work narrates stories, channeling ancestral wisdom. It expresses the profound joy of communal gathering, spiritual strength, the sting of racial prejudice, and the steps toward progress. Her art captures the tenacity of African American families and the light that elevates them. She aspires to bring honor to human suffering, finding rhythms that are thought provoking and comforting. Tina Williams Brewer, continued: Primarily hand-quilted, Brewer's artwork incorporates collage mixed-media, such as photo transfers, printmaking, and hand-beading. Each piece is adorned with symbols from African cultures and vibrant patterns that echo cultural and personal narratives, creating intricate, layered compositions that map out her heritage, the African diaspora, and the interconnection of past, present, and future. Her creations have found homes in both domestic and international exhibits, including the United States Embassy in Ghana and the American Craft Museum in New York City. Brewer has enjoyed recognition from the American Arts in Embassy Program for over two decades and has received the prestigious Commonwealth of Pennsylvania Governor's Awards for the Arts. Her pieces are also part of the permanent collections at the Westmoreland Museum of American Art, The State Museum of Pennsylvania, and The African American Museum of Dallas. Brewer's recent showcases include the 1-54 Contemporary Art Fair in NYC, selected by Omar Berrada, EXPO Chicago's Curated Selection by Eric Shiner, Christies, Rockefeller Plaza, NYC, "Knotted Ties" at DeBuck Gallery NYC, and "Threaded Memories" at the Untitled Art Fair, Miami Beach, 2021, selected by Natasha Becker, Curator, DeYoung Museum, San Francisco, CA. About the Columbia Museum of Art Situated in the vibrant downtown district of Columbia, South Carolina, the Columbia Museum of Art stands as a cultural beacon for the city. Boasting an extensive permanent collection along with intriguing temporary exhibitions, the museum establishes itself as a central hub for community engagement. With a dedication to lifelong learning, it offers comprehensive educational programs tailored for all age groups, from children to adults. Each exhibition is enriched by supplementary programming, emphasizing the museum's commitment to crafting an inclusive and enriching experience for every visitor. Museum hours: Tuesday through Sunday, 10AM - 5PM Extended hours every Thursday until 8PM More

Darcy creates cupcakes for her teachers, using limited edition Dolly Parton frosting. This gesture showcases her creativity, love for Dolly Parton, and gratitude. Inspiration from Patz Fowle PHOTO ESSAY BY DAWN HUNTER AND DARCY PHELPS, 9-7-2022 During our most recent Lake City excursion, Darcy and I went to the Onward and Upward exhibition at the Jones-Carter Gallery. The show featured artwork by Patz Fowle (1954-2021) and Mike Fowle. We were taken and awe-struck by the artwork, which led to an impulse buy of Patz Fowle's whimsical and exquisite clay work Every Artist...Has a Story. The piece is comprised of hand sculpted stoneware, porcelain, oxides, underglaze, stains, and luster. The ceramic work contains references to famous works of art by artists like Dali, Picasso, and Munch, and seminal readings of Art History. The tactile surfaces rival the painted surface qualities of The Isenheim Altarpiece by Matthias Grünewald (1512–1516) and inspired Darcy's cookie bake off! “It is good to love many things, for therein lies the true strength, and whosoever loves much performs much, and can accomplish much, and what is done in love is well done.” ― Vincent Van Gogh Who was Patz Fowle? Born 1954 Ringgold, Georgia Died 2021 EDUCATION Parsons School of Design, New York City, New York Adelphi University, Garden City, New York Savannah College of Art and Design, Savannah, Georgia Patz Fowle was renowned for her illustrative, handmade ceramic sculptures, which were glazed with bright low-fire colors. Her works often featured anthropomorphic animals, such as zoo animals taking a taxi or a fish walking to work with a briefcase. She developed unique sculptural techniques, known as the "Patz Process Ceramic Technique," which were recognized by the American Ceramic Society and featured in art textbooks. In collaboration with her husband, Mike Fowle, she created large-scale metal public art sculptures. Jones Carter Gallery Patz Fowle Mike Fowle Patz Fowle's work inspires a cookie bake-off. The best location for this artwork in our house? The kitchen table, of course. Our meal times are now rich with discussions about art, history, and Patz's work. There are so many layers of references in the artwork. What a wonderful gift for our home! The work served as inspiration for Darcy's and Eva's sleepover cookie bake-off this past weekend. The greatest challenge? The icing and cookie cutters could not translate the fine detail of the elephant. All photos by Dawn Hunter, click on the photos to activate a slideshow. “I dream my painting and I paint my dream.” ― Vincent Willem van Gogh Pat Fowle Public Collections American Museum of Ceramic Art, Pomona, California Big Bleu Birdnanna, public art sculpture, commissioned by city of Florence, South Carolina Dr. Ronald E. McNair Life History Center, Lake City, South Carolina McLeod Regional Medical Center/ McLeod Family Medicine Center, Florence, South Carolina Recipe: Sugar Cookies Ingredients: 3 cups sifted flour 2 teaspoons baking powder 1/2 teaspoon salt 2/3 cup shortening 1 cup sugar 2 eggs (well beaten) 1/2 teaspoon vanilla extract 1/4 cup of milk Directions: Mix and sift flour, baking powder, and salt. Cream shortening, add sugar slowly, and cream until fluffy. Stir in well-beaten eggs and vanilla extract. Add sifted dry ingredients with the milk. Blend well and chill. Roll 1/4 inch thick on a lightly floured board. Cut cookies into desired shapes. Bake at 375°F for 10-12 minutes.

Explore South Carolina Sunshine's vibrant features: 'Outdoors' for landscapes, 'Culture' for heritage and arts, 'Studio Visit' into Dawn Hunter's artistry, 'Dish with Darcy' for culinary joys, and 'SC People' celebrating our residents. This is your gateway to the beautiful state of South Carolina! Featured Sections Greetings, friends - let us help you find the best that South Carolina has to offer! Welcome to South Carolina Sunshine's Featured Sections, where we celebrate the vibrant and diverse facets of our beautiful state! Our mission is to immerse you in the unique charm and warmth that South Carolina has to offer, showcasing the richness of our community, the arts, and our natural environment. Our SC People section puts the spotlight on the inspiring individuals who make South Carolina truly special. From community leaders to local heroes, we share their compelling stories and celebrate their achievements, showcasing the unique personalities that bring our state to life. Within the Outdoors section we guide you through the breathtaking landscapes, parks, and recreational activities that make South Carolina an outdoor lover's paradise. Discover hidden gems and reconnect with nature as you explore the Palmetto State's scenic wonders. Tailored and curated, our Culture section takes a deep dive, exploring the heart and soul of South Carolina's heritage, arts, and traditions. We focus on contemporary art exhibitions; however, we also feature local festivals and stories that highlight our region's history. We aim to weave a cultural tapestry that defines our state's identity. Dish with Darcy is your go-to source for mouthwatering culinary adventures! Join our resident foodie, Darcy, as she uncovers the best eateries, local recipes, and gastronomic delights that South Carolina has to offer, providing a delicious taste of our regional cuisine. Lastly, i n Studio Visit, we take you behind the scenes for an intimate glimpse into the workspaces and creative processes of South Carolina artist and USC professor, Dawn Hunter. Learn about her inspirations, techniques, and the stories that shape Dawn's artistic journey. At South Carolina Sunshine, we believe that every feature is a main course, while our columns, departments, and spotlights provide a delightful assortment of appetizers, sides, and desserts to complement your reading experience. We invite you to explore our Featured Sections and indulge in the diverse flavors of South Carolina. Enjoy! About Experience South Carolina! - the inspiration behind our website, we are fueled by the remarkable talents and accomplishments of individuals in the Palmetto state. With a unique blend of art, science, and community service, we've crafted a vision for a site that transcends the ordinary. Browse our online webzine that celebrates and explores the exceptional people, enchanting culture and natural beauty of South Carolina. Learn More SC People Dawn Hunter's SC People section for South Carolina Sunshine™ provides exclusive interviews bi-monthly with notable individuals contributing significantly to their communities throughout the state. From community and business leaders to creatives, each story sheds light on South Carolina's rich diversity and evolving culture. Stay tuned for our following lineup featuring inspiring conversations with engaging artists, entrepreneurs, and educators shaping our present and mapping our future lives. Left, Caroline DeSantis of Fast Doll. Learn More Outdoors South Carolina Sunshine™ | Outdoors section is your resource for exploring the stunning landscapes , hiking trails, and outdoor activities in South Carolina. We have organized a collection of must-see places and exciting things to do. Embark on unforgettable adventures and create cherished memories as you experience the natural beauty and charm of South Carolina's great outdoors. Learn More Culture Welcome to South Carolina Sunshine™, your ultimate guide to the vibrant cultural events that make the Palmetto State shine. Our specially catalogued content features an array of exceptional happenings across South Carolina, ensuring you stay informed and inspired. Immerse yourself in the rich tapestry of our state's culture and discover events that capture the essence of South Carolina Sunshine™. Learn More Dish with Darcy Join Darcy, Dawn Hunter's vivacious daughter, as she embarks on mouthwatering culinary adventures throughout the Palmetto State. Accompanied by friends, local talent, and a passion for food, Darcy showcases South Carolina's diverse and delectable cuisine. Embrace Darcy's motto, "food prepared is meant to be shared," and savor the scrumptious flavors of our beloved region with Dish with Darcy™. Learn More Studio Visit Join artist Dawn Hunter for a Studio Visit. Here you'll journey through her creative world. Explore a captivating photo essays and "Tumblr" page that showcases her past, present, and future projects, reflecting the depth and diversity of her artistic endeavors and gain a unique insight into the creative process of this talented South Carolinian artist Learn More